{"id":3463,"date":"2014-08-13T23:16:05","date_gmt":"2014-08-13T20:16:05","guid":{"rendered":"https:\/\/dramaisrael.org\/play\/%d7%a0%d7%99%d7%a1%d7%98%d7%92%d7%9e%d7%95%d7%a1-2\/"},"modified":"2022-02-26T08:04:44","modified_gmt":"2022-02-26T06:04:44","slug":"nystagmus","status":"publish","type":"play","link":"https:\/\/dramaisrael.org\/en\/play\/nystagmus\/","title":{"rendered":"Nystagmus"},"content":{"rendered":"

Nystagmus is a current artistic
\nreaction to two exhibitions held by Hitler in Munich during 1937 – “The
\nGreat German Art” and<\/span>    <\/span> “The Degenerate
\nArt”. It’s an exclusive, first-time collaboration between the independent
\nSKR gallery and Munich Volkstheatre, aimed at exploring the potential
\ntheatrical mechanisms imbued in the museum space and that were used by the
\nNazis to instill their cultural doctrine.<\/span><\/span><\/p>\n

 <\/span><\/span><\/p>\n

Nine artists were commissioned
\nby the curator Anton Erlich to present their works in a collective exhibition
\nheld inside the theatre space.<\/span><\/span><\/p>\n

 <\/span><\/span><\/p>\n

The audience was welcome to
\nfirst tour the display area and later to take part in the opening ceremony,
\nwhere some of the commissioned artists<\/span> <\/span>presented their performance
\npieces, created specifically for this event.<\/span><\/span><\/p>\n

 <\/span><\/span><\/p>\n

Connecting Dots \/ Uriah
\nRein-Merchav<\/span><\/u><\/b><\/span><\/u><\/p>\n

A sceno-graphic work that
\nexamines the historical degeneration of both German and Israeli societies,
\nusing historical documents of the artist’s personal biography.<\/span><\/span><\/p>\n

 <\/span><\/p>\n

 <\/span><\/p>\n

 <\/span><\/p>\n

Conversation with a Phantom – A
\nSite Specific S\u00e9ance \/ Medium Sybille Maria Lang and Felicitas Lang<\/span><\/u><\/b><\/span><\/u><\/p>\n

An endeavor to channel the
\nworld of the dead and the entities from beyond that relies on real-time
\nquestions from the audience.<\/span><\/span><\/p>\n

 <\/span><\/span><\/p>\n

My Cervix \/ Bruno Spatz with
\nactress Magdelena Weidenhopfer<\/span><\/u><\/b><\/span><\/u><\/p>\n

A piece criticizing the
\ndictatorial taking over of interpretation on the art world.<\/span><\/span><\/p>\n

 <\/span><\/p>\n

Commercial Break \/ The Sturm
\nTwins<\/span><\/u><\/b><\/span><\/u><\/p>\n

\n

An installation based on the
\nproducts of popular culture that seeks to expose the psychological
\nmanipulations inherent in modern propaganda.<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Nystagmus is a current artistic reaction to two exhibitions held by Hitler in Munich during 1937 – “The Great German Art” and     “The Degenerate Art”. It’s an exclusive, first-time collaboration between the independent SKR gallery and Munich Volkstheatre, aimed at exploring the potential theatrical mechanisms imbued in the museum space and that were used by… Read more<\/a><\/p>\n","protected":false},"featured_media":9893,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","categories":[],"_links":{"self":[{"href":"https:\/\/dramaisrael.org\/en\/wp-json\/wp\/v2\/play\/3463"}],"collection":[{"href":"https:\/\/dramaisrael.org\/en\/wp-json\/wp\/v2\/play"}],"about":[{"href":"https:\/\/dramaisrael.org\/en\/wp-json\/wp\/v2\/types\/play"}],"replies":[{"embeddable":true,"href":"https:\/\/dramaisrael.org\/en\/wp-json\/wp\/v2\/comments?post=3463"}],"version-history":[{"count":1,"href":"https:\/\/dramaisrael.org\/en\/wp-json\/wp\/v2\/play\/3463\/revisions"}],"predecessor-version":[{"id":16119,"href":"https:\/\/dramaisrael.org\/en\/wp-json\/wp\/v2\/play\/3463\/revisions\/16119"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dramaisrael.org\/en\/wp-json\/wp\/v2\/media\/9893"}],"wp:attachment":[{"href":"https:\/\/dramaisrael.org\/en\/wp-json\/wp\/v2\/media?parent=3463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dramaisrael.org\/en\/wp-json\/wp\/v2\/categories?post=3463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}